Aguirre, der Zorn Gottes (Aguirre, The Wrath Of God) / Агирре, гнев божий
Режиссер: Werner Herzog
Страна: West Germany
Год выпуска: 1972
Актеры: Klaus Kinski (as Don Lope de Aguirre), Daniel Ades (as Perucho (as Dan Ades)), Peter Berling (as Don Fernando de Guzman), Alejandro Chavez, Daniel Farfбn, Justo Gonzбlez (as Gonzбlez), Ruy Guerra (as Don Pedro de Ursua), Julio E. Martнnez, Del Negro (as Brother Gaspar de Carvajal), Armando Polanah (as Armando), Alejandro Repulles (as Gonzalo Pizarro), Cecilia Rivera (as Flores), Helena Rojo (as Inez), Edward Roland (as Okello)
Описание: Завораживающая лента с элементами сюрреализма об одержимом конкистодоре Агирре (Кински), отделившемся от экспедиции Писарро в Южной Америки и ведущем свой отряд на поиски Эльдорадо, "Золотого рая на Земле". Жестокий фильм, чем-то похожий на дурной сон, снят в джунглях Амазонки. Основана картина на дневниках, написанных Гаспаром Де Карвахалом, конкистадора из армии испанцев, сопровождавших реального Гонсалеса Писарро. (Иванов М.)
Рецензии: An involving contemplation of the human condition, `Aguirre, Wrath of God,' directed by Werner Herzog, is a pensive meditation on the nature of the species, an emotionally engrossing film that is visually stunning (it was filmed on location in the Amazon), insightful and imaginatively presented. The story begins in 1560, with Pizarro (Alejandro Repulles) and his army of conquistadors traversing the Andes in search of wealth, as in the wake of the conquest of the Incas some years before, the Indians began circulating stories of the legendary City of El Dorado, which purportedly held riches beyond measure. When they reach an impasse, however, Pizarro commands forty men to continue on down the river by raft, to seek out any Christian civilization that may be of help or able to lead them to their destination. He places Don Pedro de Ursua (Ruy Guerra) in charge, with Don Lope de Aguirre (Klaus Kinski) as his second in command, giving them one week, after which time if they have not returned, Pizarro and the rest will go back the way they came. Among the forty chosen to go on, are Ursua's wife, Inez (Helena Rojo), and Aguirre's fifteen-year-old daughter, Flores (Cecilia Rivera). But when this leg of the expedition goes awry as well, Ursua issues orders that they are to return to Pizarro; Aguirre takes exception to this, however, and rallies the men against Ursua, telling them to consider Cortes, who disobeyed when ordered back, and then went on to conquer Mexico. What the men do not realize at the time, is that Aguirre is a delusional madman with an agenda of his own, that actually has little to do with the acquisition of wealth, but everything to do with what he perceives to be his destiny as the `Wrath of God.'
Herzog has crafted an absolutely mesmerizing film that is innovative and transporting. He permeates the story with a hypnotic, ethereal atmosphere that draws you into this world, and allows you to experience the hardships of the river and the nearly insurmountable obstacles of the Peruvian Rain Forests and the mountains. He creates that sense of being in a dream, where nothing is real, all of which is enhanced by the deliberate pace Herzog sets, as well as the haunting score that intensifies Aguirre's descent into madness. There are a number of truly memorable scenes, the most brilliant of which frame the story: The opening takes you along with Pizarro and his men as they negotiate the treacherous mountain paths, plodding slowly through mud and mist against all odds. It's an extended scene that allows the viewer to assimilate the full import of what is transpiring, and with it, Herzog is letting you know what to expect from the rest of the film. It's a breathtaking beginning, rivaled only by the final scene, in which the camera endlessly circles Aguirre as he stands alone on a raft in the middle of the river, expounding his delusions of claiming lands and the conquests that lie ahead still, surrounded by scampering monkeys and an aura of doom.
Kinski, with his natural, haunted expression and the chilling depth of his eyes, is perfectly cast as Aguirre. He captures the very essence of a man whose soul is damned, yet remains adamant in his quest to fulfill what he deems to be his own destiny. Cloaked in armor, his long hair straggling out from beneath his helmet, he exhibits a singular countenance, infused with menace and an attitude of invincibility. It's a powerful performance that underscores the impact of the contrast between the strength of his misguided and paranoid character, and the folly of his actions. That he is unbalanced is obvious fairly early on in the film, and because of that, coupled with his determination, you are quickly able to discern the probable outcome of the story. And it's disturbing, watching and knowing the fate that awaits these people with whom you've become involved, while at the same time, you're somewhat numbed to it all by the wistful state of being into which you have been so subtly lulled by Herzog along the way.
The supporting cast includes Edward Roland (Okello), Dan Ades (Perucho), Del Negro (Brother Carvajal), Armando Polanah (Armando) and Peter Berling (Don Fernando). An honest consideration of instinctual behavior, `Aguirre, Wrath of God,' is a thought provoking study of the innate predisposition of man to go forth and conquer, regardless of-- or perhaps owing to-- his present situation, whatever or wherever it may be. It's a rare film that will take you to a place wherein reality is seemingly an illusion reflected in madness, profoundly borne on the artistic wings of Werner Herzog. I rate this one 10/10.